Hope trembled, unable to draw sense from the scrambled mess of thoughts scattering her focus.
John stood at the foot of the stairs, dumbstruck. “What are you talking about?”
“In the painting, the woman in the picture, lying on the ground. She was dead.”
“There isn’t a woman in the painting,” John said.
“I painted over her! That’s why I was so upset last night! I painted you as a … killer.”
John took a step forward, feeling a sudden need to soothe the tension with an embrace. He wrapped his fingers gently around her arm. Hope flinched. Only for a moment, but it was long enough for him to notice. He took a step back.
“Wait a second; you don’t think I killed that woman, do you?”
Hope shook her head, “No! But I painted her, John. I saw her. And now she’s missing. What does that mean?”
“Maybe it was someone else in the painting,” John reasoned.
“She had the same tattoo!” Hope choked in the middle of her sentence making same tattoo sound like a separate thought. Tears streamed down her face, making her cheeks pink and puffy looking.
John reached out again, arms open. This time, she collapsed into his embrace. While Hope didn’t really believe that John could be responsible for killing someone, some part of her, perhaps the same part that foresaw the girl’s disappearance was still wary of him. And yet, strangely, another part, the one being comforted in his strong embrace, didn’t care if he admitted to being a murderer. At that moment, in his embrace, he could have confessed to anything and it wouldn’t have mattered.
“There’s an explanation for this,” John said, his breath warm on her head as he held her tightly. “Maybe you recognized her from the neighborhood, or at the bar?”
“I don’t think so.”
“It’s a coincidence. She’s been missing for what? Two nights? She’s young. She’s probably out partying or something and forgot to check in with her roommate.”
Hope pulled away, and looked up at John. “Do you think so?”
“I don’t know what else to think,” John said.
They stood there for a while, at the foot of the stairs, their embrace tightening as though a taut caress could change the truth. At first, Hope thought John was simply offering her comfort. But, no, there was something else there. John seemed scared. But of what?
As John showered and got ready for work, Hope wrapped herself in the comfort of their bed, and wondered just how well she really knew John.
They had met during a time of sea change for both of them.
Hope graduated from the Pratt Institute in New York in 1995, but found breaking into the well-paying end of the art scene about as easy as spinning straw into gold. After a vacation with a friend, she found herself in love with St. Augustine and its old world Spanish architecture. Though the art community was smaller than New York’s, it wasn’t much easier to crack. She’d entered and won a few contests, took part in some exhibits, but hadn’t exactly broken out or been able to translate her efforts into regular income.
At first, she told herself she’d wait tables at Umberto’s to support her artistic endeavors. She considered herself an artist, who happened to wait tables. Then, almost without realizing it, she’d nearly stopped painting completely. She was a server, who just happened to occasionally paint.
In her experience, dreams didn’t die quick deaths, so much as suffocate in a slow and almost invisible process.
Then she met Sergei.
He, and his boyfriend, Stephan, were regular customers of hers at the restaurant. They were extremely friendly and often joked with her, asking about her day with nearly identical smiles. Surprisingly, Hope had never thought to mention her artistic passion. One day, she overheard them talking about an old gallery that had gone out of business the year before. Hope slipped into the conversation and discovered Sergei was also an artist. He’d made his money, quite a bit of it judging from his taste in clothes and wines, in real estate. He had decided to bankroll his true passion and open up his own commercial gallery.
Hope joked, “Got room to showcase an up-and-comer painter/waitress?”
She was kidding. She never thought they’d take her seriously.
Stephan, suddenly excited, said, “What do you paint?”
“Oils, mostly—realism, romanticism, impressionism,” Hope laughed, “I’ve even tried pointillism. Take your pick of any -ism, really.”
For a moment, she worried that perhaps she should have been a bit more serious in her response. However, she was so used to the carefree banter with them that she found it hard to be serious.
“Do you have any samples?” Sergei asked.
“Yeah, I carry canvases wherever I go,” Hope joke again, before biting her tongue. Then she remembered that she’d given her boss, Umberto, a painting for his birthday the month prior. She practically skipped to his office and asked if she could borrow it for a second, then ran back to the table.
“Ta-da,” she said, holding the canvas, trying to get the best lighting.
It wasn’t her best work by any means, but it was good. The painting was of the diner, a pedestrian subject, but one she thought would please Umberto. The magic in the painting wasn’t in its subject, however, it was in the beautiful mingling of light and shadow which cast the canvas in a romantic warmth.
“Oh my god,” Stephan said. To say he loved the painting was an understatement. Sergei echoed the sentiments.
Two months later, Sergei featured two of Hope’s works at the grand opening of his gallery. Little did she know one of those paintings would lure John into her life.
TO BE CONTINUED…Next Friday.
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